“The film’s narrative microcosmos is a shared car: a place where friends and enemies have no alternative but to co-exist on a long journey. The relationships between characters will prove crucial when they are forced to survive when a deadly enemy appears. We wanted to play with the language of cinema and suspense and make a film where something as small as a van leads to something much bigger. By developing an intense atmosphere of suspense and developing the relationship between the two main characters, we have created an adventure experienced by characters who do not know each other and who will learn to love each other when united by an unsustainable situation. The challenge of shooting in a single vehicle generates a creative experience where suggestion and developments outside the field of action will be prominent in the narrative, stimulating and provoking the imagination of the spectator. The film is narrated in a light but firm tone, and always on the basis of respect for the genre and on the premise that the spectator constantly enjoys the film. After meeting each character, the spectator undergoes an amazing experience: in the dark interior of a van, anyone can fall into the clutches of The Passenger. Everything occurs within a structure of suspense based on extensive sequences full of tension, where the audience enjoys the film whilst all along being terrified.”